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Inside the recording

Flawless (Go to the City)

George Michael · 2004 · Pop

125 BPM · measuredC majorCamelot 8BSynced lyrics
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The sounds in it

Song Genome cut these from the stems and named them: 23 hits, notes and loops. Play any one, or keep it in your Collection.

Vocals · 1 sound

  • Backing vocal harmony
    3:56.3 · 4 bars · 125 BPM

Drums · 13 sounds

  • Lo-fi dusty kick drum
    0:20.6 · kick · 0.06 s · rebuilt 42%
    REBUILT
  • Lo-fi dusty kick drum
    0:22.5 · kick · 0.05 s · rebuilt 33%
    REBUILT
  • Maybe 808 tom
    0:47.5 · tom · 0.34 s · rebuilt 48% · also heard as electronic tom, rack tom
    REBUILT
  • Maybe lo-fi snare drum
    1:01.3 · snare · 0.08 s · rebuilt 64% · also heard as trap snare, electronic snare drum
    REBUILT
  • Maybe shaker
    1:22.3 · percussion · 0.09 s · rebuilt 74% · also heard as open hi-hat, closed hi-hat
    REBUILT
  • Shaker
    2:08.4 · percussion · 0.09 s · rebuilt 65%
    REBUILT
  • Maybe 808 tom
    3:48.1 · tom · 0.37 s · rebuilt 44% · also heard as floor tom, rack tom
    REBUILT
  • Maybe floor tom
    3:51.9 · tom · 0.36 s · rebuilt 49% · also heard as 808 tom, electronic tom
    REBUILT
  • Lo-fi snare drum
    4:19.2 · snare · 0.07 s · rebuilt 59%
    REBUILT
  • Electronic snare drum
    4:21.7 · snare · 0.49 s · rebuilt 48%
    REBUILT
  • Lo-fi dusty kick drum
    4:26.6 · kick · 0.04 s · rebuilt 38%
    REBUILT
  • Shaker
    4:49.8 · percussion · 0.09 s · rebuilt 83%
    REBUILT
  • Four on the floor house beat
    6:22.2 · 4 bars · 125 BPM

Bass · 7 sounds

  • Sub bass
    0:11.6 · 4 bars · 125 BPM
  • Sub bass
    0:12.7 · note A#1
  • Sub bass
    0:13.6 · note A1
  • Synth bass
    2:11.8 · note G1
  • Sub bass
    3:32.4 · note B1
  • Sub bass
    3:39.7 · note C2
  • Maybe synth bass
    3:48.7 · note A0 · also heard as sub bass, wobble dubstep bass

Guitar · 1 sound

  • Funk rhythm guitar
    3:00.6 · 4 bars · 125 BPM

Synths · 1 sound

  • Vocal chop
    6:31.8 · 4 bars · 125 BPM

The stems

The harmony

A#:majD:majG:maj

3 detected chord types. Automated chord recognition describes a musical interpretation, not a verified score.

The balance of the stems

Relative levels in the stored analysis. Zero is the strongest layer in this comparison.

fx

-4.9 dB relative

bass

-0.2 dB relative

drums

0.0 dB relative

piano

-10.8 dB relative

guitar

-7.4 dB relative

vocals

-0.6 dB relative

Find what fits

Suggestions within 4% of this tempo, using the same or neighboring Camelot keys. Listen to check phrasing and musical fit.

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